Articles, Chapters and Ancillary Material

Hallie G. Meredith, “The Late Roman Unfinished Chaîne opératoire: A New Approach to Inscribed Glass Openwork,” American Journal of Archaeology 127, no. 1 (January 2023): 119-139 with Supplementary Online Appendix.

Link to AJA Online.

Download the first page of this article.

 

Hallie Meredith and Sarah Barnett, “‘Contemporary Classicism’ Copy of a Copy: Appropriating Classical Statues as Conceptual Readymades,” Classical Art and Archaeology (CLARA) Special issue no. 2, The Classical in Contemporary Art and Visual Culture, ed. Bente Kiilerich, Marina Prusac-Lindhagen and Astri Karine Lundgren (2021): 1-23.

Link to CLARA Online.

‘Contemporary Classicism’ Copy of a Copy: Appropriating Classical Statues as Conceptual Readymades

Ancillary material written for Pamela Gordon. Art Matters: A Contemporary Approach to Art Appreciation (Oxford: Oxford University Press, 2019).

 

Hallie G. Meredith, “Engaging Mourners and Maintaining Unity: Third and Fourth Century Gold-Glass Roundels from Roman Catacombs,” in The Role of Objects – Creating Meaning in Situations (Lived Ancient Religion). Religion in the Roman Empire, ed. Jörg Rüpke and Rubina Raja 1, no. 2 (June 2015): 219-41.

Engaging Mourners and Maintaining Unity: Third and Fourth Century Gold-Glass Roundels from Roman Catacombs

Hallie G. Meredith, “Animating Objects: Ekphrastic and Inscribed Late Antique Movable Material Culture,” Facta. A Journal of Roman Material Culture Studies 3 (2009): 35-64.

Animating Objects: Ekphrastic and Inscribed Late Antique Movable Material Culture

Hallie G. Meredith, “Evaluating the Movement of Open-Work Glassware in Late Antiquity,” in ed. Marlia Mundell Mango, Byzantine Trade, 4th-12th Centuries: The Archaeology of Local, Regional and International Exchange Papers of the 38th Annual Spring Symposium of Byzantine Studies (Aldershot: Ashgate, 2009), 191-7.

Evaluating the Movement of Open-Work Glassware in Late Antiquity

Hallie G. Meredith (Goymour), “Disentangling Material Cultures: Late Roman and Sasanian Facet Cut Glassware in Late Antiquity,” SOMA 2004: Symposium on Mediterranean Archaeology Proceedings of the Eighth Annual Meeting of Postgraduate Researchers 1514 (2006): 123-30.

Disentangling Material Cultures: Late Roman and Sasanian Facet Cut Glassware in Late Antiquity